We were listening to the famous composition by Mozart, nicknamed the Kegelstatt Trio.
Kegelstatt means 'skittle place'. The name of the Trio derives from the legend that Mozart composed it in a bowling alley.
Now the interesting question that occurred to me was this: Where are the sounds of bowling, and of skittles falling over? Because even a tin ear can recognise sounds like that.
I had listened hard, but never heard a rattle or a rumble or a crash. Then, however, I had a piece of luck.
I heard a man behind me say, to his companion: They made mistakes, they played a few wrong notes.
I turned around. Oh, I said, you must be Mozart! Can you tell me why this piece is called the Kegelstatt, when it has no sounds of bowling in it?
Madam, said the man, I am indeed Mozart, and the nickname of this Trio has caused me much embarrassment. But I am not to blame. In 1786 I wrote 12 duos for basset horns while in a bowling alley. You will agree that basset horns are well-suited to the sounds of bowling?
I nodded, although I could not quite see why.
Some weeks later, continued Mozart, I wrote this piece for some friends of mine. I called it a Trio for Clarinet, Viola and Piano. What can I do if posterity thinks because you wrote one thing in a bowling alley, you'll write the next thing in a bowling alley? It's patently absurd!
I could certainly agree with that. I thanked him for his explanation, and settled back to listen to the second Trio, and dream of squid hats.
Friday, June 25, 2010
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