Another hot day. We went to Semaphore. We thought we might go in the water, and wore our swimming things just in case.
The sand was hot. We took off our shoes. How then had we known that the sand was hot? They were not proper shoes.
The sea was tepid and green. Fat people bobbed in the shallows. Three ladies and a man in a stockman's hat. Nine seagulls flew southwards over their heads. Eleven terns flew north. Perhaps I have remembered this wrong.
The terns looked like seagulls wearing unconvincing black hairpieces. Thirty nine of them stood on the shore. Something was afoot.
We walked towards the Semaphore jetty, in the water up to our knees. The middle of the jetty was missing. This was new. Boys were jumping off at the gap, and clambering up the other side. We could see them, in the distance.
Two yachts, on the near horizon, with cream and grey sails like moths' wings, seemed to touch one another lightly.
I looked down at the water and was shocked to see lines of Japanese calligraphy. It was seaweed, tiny brown and black pieces like brushstrokes, floating on the surface of the water. They said, if I read them correctly: Here is the interface, here, and here, and here.
We took the plunge. Immersed ourselves in the sea. It was cold, because our skin was hot. We gasped. And wallowed. Only the interface matters.
I flapped my hands under the water which moved like jelly.
Friday, November 13, 2009
At the Interface
Labels:
calligraphy,
jelly,
jetty,
sand,
seagulls,
Semaphore,
shoes,
stockman's hat,
terns,
yachts
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