Kierkegaard returns with a coconut.
Two half-coconuts would have been more convenient, says Vello.
That can be simply arranged, says Kierkegaard. Is there a knife in this office?
Yes, says Belle. In the spoon drawer.
She goes across to the spoon drawer, and takes out the knife.
Kierkegaard sets about halving the coconut.
Can I help? asks Terence.
No! says Kierkegaard. Keep away. Bits of coconut might fly off at random.
Terence sits down next to Baby Pierre.
Was Arthur with you? asks Vello.
I didn't see him, says Kierkegaard.
Never mind, says Vello. Terence took his part as the Grand Inquisitor.
I'm sorry I missed that, says Kierkegaard, sawing away at the coconut.
I was good, says Terence. I looked surprised.
Kierkegaard looks surprised.
See HIS face? says Baby Pierre. That's how you look surprised.
I was doing that, says Terence.
You always look the same, says Baby Pierre. Because you're a statue.
No I don't, says Terence. How do I look then?
Like a baby, says Baby Pierre.
I'm a kid, says Terence. Not a baby.
But you look like a baby, says Baby Pierre.
Terence has not felt like a baby for ages. Not since he fell from the Sagrada Familia in Barcelona.
Never mind, says Baby Pierre. You make a good Earthquake.
YOU don't, says Terence.
You should work on expanding the part, says Baby Pierre. Maybe a song at the end.
Can't, says Terence. The end is the coconuts.
But Baby Pierre has sparked an idea.
Terence begins to think up an Earthquake-Coconut Song, to end this year's play.
What do coconuts sound like?
Crack! Kierkegaard succeeds in splitting the coconut.
Sluuursh ! A watery liquid pours out.
Watch my floor! cries Vello.
Kerlop-kerlop ! Kierkegaard tries out the coconuts.
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